Funded by the past and surviving Aboriginal peoples of Australia
In September 2023, a series of mysterious posters of No Fixed Address started appearing in locations across London. Featured the iconic Bleddyn Butcher photo of…
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In September 2023, a series of mysterious posters of No Fixed Address started appearing in locations across London. Featured the iconic Bleddyn Butcher photo of…
Continue reading...There was a lot of love in the room at the Adelaide launch of 'No Fixed Address' and the opening of the related exhibition in…
Continue reading...Ricky Harrison and Sean Moffatt from No Fixed Address travelled from Gippsland to Sydney in mid-May to do some publicity for the 'No Fixed Address'…
Continue reading...A selection of published and previously unpublished works
No account of the Highland county of Moray would be complete without a mention of whisky. There are 49 operating malt whisky distilleries in the Speyside region, the greatest concentration in Scotland. The clean air, the plentiful and pristine water of the Spey coming off the Cairngorm mountains to the south (plus natural springs) and proximity to the main barley growing areas of the country provide ideal conditions for
In June 2017 Di and I left Sydney and spent two weeks in Amsterdam and then ten days touring around the Scottish Highlands. As much for myself as anything else, I decided to set out my impressions and thoughts of Scotland in this period of great uncertainty about the future of the place I was born. In the canal house flat where Di and I spent most of our time
As I stood in the foyer waiting for Calum a fragment of a lyric came into my mind—‘… thinking that maybe we’re not that young any more …’ There was a lot of grey hair, some walking sticks, and some big bellies—but, to be fair, some youngsters too. All in all a pretty representative cross section of Sydney. The tickets had been a last minute Christmas present for Calum. The
Scotland has had few men whose names Matter—or should matter—to intelligent people, But of these MacLean, next to Burns, was the greatest. —Hugh MacDiarmid, ‘Krassivy, Krassivy’ (1943) I’m standing at the grave of John Maclean with my newfound cousin Roddy. We’re in the New Eastwood cemetery on the southern outskirts of Glasgow. It’s a clear, dry afternoon in August and the sunlight filters through the trees and dapples the green
John Maclean’s Glasgow A couple of weeks before I was due to head off to Glasgow in search of the ghost of John Maclean, I stumbled across a couple of articles online, both of which resonated strongly with me. The first was a feature about the Glasgow-based writer Ian R. Mitchell, ‘Following in the footsteps of Maclean and Maxwell’ by Russell Leadbetter, published in the Glasgow Herald magazine on 11
It started in the shires of the English midlands and finished in the arid saltbush of Whyalla, South Australia. It was the year my life changed. In September 1966 I turned 13. Two days after my birthday my family—my father, mother, sister and brother—and I got on a train in Kettering, Northamptonshire. It took us to London, very much still the Swinging City, where we changed trains for Southampton. There,
I was sitting on the bench at St Joseph’s College on Saturday doing the paperwork after refereeing the Joey’s versus Riverview seconds. Two reds and four yellows—not a bad haul for 50 minutes work. The coach of the Joey’s First XI looked familiar. ‘Is that Jason Culina?’ I asked the Joey’s Master in Charge. He nodded. I finished my reports and caught Culina’s eye. ‘Hi Jason. Did you see that
When I returned to Adelaide in late 1977 after two and a half years away in the U.K., I brought home with me about twenty-five singles. I proceeded to do the rounds of my rather puzzled university friends to show them and play to them these artefacts from the sonic revolution I had just experienced. Most of them smiled politely and poured another cup of tea, but one old school
I first heard the Doug Anthony Allstars in my rented flat in Edinburgh during the 1988 Fringe Festival. I’d gone to Scotland to cover the Festival prior to taking up a new job and was listening to a program about the Fringe on BBC Radio Scotland. Midway through the show, the host introduced a song from a hot young Australian trio who were wowing them at the Gilded Balloon in